2025年5月19日 星期一
戏曲艺术重获现代观众的观念调整
Traditional Opera Regains Modern Audience's Conceptual Adjustment
摘要

本文的研究背景是传统戏曲的衰落。传统戏曲衰落的原因之一是当下的戏曲舞台与戏曲的文学性和文化内蕴的深刻性相疏离。这就导致戏曲艺术失去了现代观众的追捧, 因而处境艰难。传统戏曲疏远了光荣的戏曲史的辉煌成就和艺术经典, 主动远离了时代精神和当下的社会生活, 放弃了戏曲艺术原初的社会功能, 从而也抛弃了现代观众。本文认为, 戏曲经典的诞生离不开其对时代问题的关注, 流传千古的戏曲杰作无不是时代进步思想的文学体现。因此, 现代戏曲创作以及戏曲改编都应该从中吸取经验, 将时代关怀作为戏曲复兴的重要基石。基于诸多戏曲改编的成功案例, 会发现, 戏曲只要融合时代因素, 注重艺术性与文学性, 就能打动现代观众。因此, 本文认为新编戏曲应该自觉运用现代思维处理历史题材, 关注当下现实生活, 注重文学性、艺术性。这是传统戏曲走向现实, 获得广泛认可的重要途径。

Abstract

The background of this paper is the decline of traditional opera. One of the reasons for the decline of traditional opera is that the current opera stage is alienated from the literary and cultural connotations of opera. This has led to the loss of the popularity of opera art among modern audiences, and thus it is in a difficult situation. Traditional opera has alienated the glorious achievements and artistic classics of the glorious history of opera, actively distanced itself from the spirit of the times and the current social life, abandoned the original social function of opera art, and thus abandoned modern audiences. This paper believes that the birth of opera classics is inseparable from its attention to the problems of the times, and the operas that have been passed down through the ages are the concentrated embodiment of the spirit of the times. Therefore, modern opera creation and opera adaptation should learn from it and take the concern for the times as an important cornerstone of the revival of opera. Based on many successful cases of opera adaptation, it will be found that as long as opera integrates the factors of the times and pays attention to artistry and literariness, it can impress modern audiences. Therefore, this paper believes that new operas should consciously use modern thinking to deal with historical themes, pay attention to current real life, and pay attention to literariness and artistry. This is an important way for traditional opera to move towards reality and gain wide recognition.  

DOI10.48014/als.20241230002
文章类型研究性论文
收稿日期2024-12-07
接收日期2024-12-20
出版日期2024-12-28
关键词戏曲, 戏曲复兴, 文学性, 现代观众
KeywordsOpera, opera revival, literariness, modern audience
作者谭邦和
AuthorTAN Banghe
所在单位文华学院湖北省非遗研究中心, 湖北品牌发展研究中心, 武汉 430074
CompanyWenhua College Hubei Intangible Cultural Heritage Research Center, Hubei Brand Development Research Center, Wuhan 430074, China
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参考文献[1](清)孔尚任. 桃花扇[M]. 楼含松, 等, 校注. 杭州: 浙江古籍出版社, 1998: 220.
[2] 海童编注. 关汉卿戏曲精品·上[M]. 济南: 山东文艺出版社, 1997: 23.
引用本文谭邦和. 戏曲艺术重获现代观众的观念调整[J]. 交叉科学学报, 2024, 1(1): 6-9.
CitationTAN Banghe. Traditional opera regains modern audience's conceptual adjustment[J]. Acta Interdisciplinary Science, 2024, 1(1): 6-9.