自画像创作贯穿了英国画家乔治·钱纳利的职业生涯。在所有现存的钱纳利自画像中, 英国国家肖像画廊收藏的由钱纳利在1840年左右创作的油画《自画像》是最为著名的一幅。本文以这件《自画像》为研究对象, 基于学界对钱纳利自画像的既往研究, 首先对《自画像》进行画面分析, 然后主要围绕画中出现的两幅风景画展开讨论, 结合钱纳利的生平经历、艺术创作与心理状况, 以及他所身处的社会环境, 分析钱纳利对两幅风景画题材的选择与处理如何参与塑造了钱纳利的个人形象, 从中揭示钱纳利在作为一名成功的肖像画家的同时, 对风景画的不懈追求。

Self-portraits were created throughout the career of British painter George Chinnery. Among all the existing self-portraits of Chinnery, the oil painting Self-Portrait created by Chinnery around 1840 and collected by the National Portrait Gallery in the UK is the most famous one. Based on previous academic research on Chinnery’s self-portraits, this paper first conducts a picture analysis of Self-Portrait, and then focuses on the two landscape paintings that appear in the artwork. Combining Chinnery’s life experience, artistic creation and psychological condition, as well as the social environment he lived in, this paper analyzes how Chinnery’s choice and treatment of the two landscape paintings in the self-portrait helped to shape Chinnery’s personal image, thereby revealing Chinnery’s unremitting pursuit of landscape painting while being a successful portrait painter.