本文通过对2023年全年中国当代艺术档案资料库中329篇影像艺术展览及文献的梳理, 回顾了该年度影像艺术的发展脉络和主题探索, 尤其关注了影像艺术在艺术创作和展示中的多样性。多个展览中, 艺术家们继续探索影像艺术对时间与运动的认识, 突显了影像作品与传统影视语言的区别与创新。更多作品探讨了艺术审查与社会变革的关系、个体在高压社会环境下的脆弱性、创伤背后的结构性暴力等, 集中探索了过去几年社会议题所明确揭示的回忆、痕迹与表征。此外, 多个群展呈现了不同地区在全球化背景下的社会困境与文化反思, 影像艺术的国际交流重新涌现。2023年当代影像艺术的新展览与新创作在形式与内容上的创新为研究者提供了丰富的视角与思考材料, 持续推动了影像艺术作为社会批评工具的潜力和发展。本文旨在通过档案数据的溯源, 反思和总结2023年当代影像艺术的影响, 为相关研究提供文献参考。

By combing 329 video art exhibitions and documents in the archives of Chinese contemporary art in 2023, this paper reviews the development context and theme exploration of video art in this year, especially focusing on the diversity of video art in art creation and display. In multiple exhibitions, artists continue to explore the understanding of time and movement in video art, highlighting the difference and innovation between video works and traditional film and television language. More works explore the relationship between art censorship and social change, the vulnerability of individuals to high-pressure social environments, and the structural violence behind trauma, focusing on memories, traces, and representations that have been clearly revealed by social issues over the past few years. In addition, multiple group exhibitions present the social dilemmas and cultural reflections of different regions in the context of globalization, and the international exchange of video art has re-emerged. The new exhibitions and creations of contemporary video art in 2023 provide researchers with rich perspectives and materials for reflection in terms of form. and content, continuously promoting the potential and development of video art as a tool for social criticism. The purpose of this review is to reflect and summarize the influence of contemporary video art in 2023 by tracing archival data, so as to provide literature reference for related research.