人对于记忆高潮的理解, 经历了无意识、潜意识和意识的递进过程。情节记忆 (Episodic Memory) 是其中重要的一环, 决定了人将自我主体的记忆切片打破重组的行为显现。强烈的情感体验, 是贯穿整个过程的底色, 其决定了情节赋予人完整性的趣味性和意味性。然而, 伴随人工智能技术 (Artificial Intelligence, AI) 的勃发, 人们似乎逐渐进入另一重主动性维度, 即在被切片的状态中, 被发现、被体验情感, 同时消解于人工智能的工具属性, 也就是人对人工智能的“绝对”控制之中。电影更是被切片为若干种人化/智能化的可行性, 其身份发生了颇有意味的移置。据此, 本文将以现象学的研究路径, 以电影为切入点, 沿着从情节观看 (实在现实) 的可看, 到情绪感知 (心理现实) 的可感, 再到情感生成 (高维现实) 的可知的逻辑线, 就人、人工智能的关系状态进行探讨, 最终发现这一关系的发展路径确属“可控”, 为人类在人工智能时代起始期的生存提供借鉴。

Human understanding of the climax of memory has evolved through a progressive process from the unconscious, to the subconscious, and then to consciousness. Episodic memory plays a crucial role in this process, determining how individuals break and recombine slices of their self-narrative. Intense emotional experiences serve as the backdrop of this entire process, determining the fun and meaningfulness of the narrative. However, with the rise of Artificial Intelligence (AI) , humans seem to be entering another dimension of agency—one in which they are both fragmented into slices and simultaneously experience emotions in this fragmented state, all while dissolving within the tool-like nature of AI, or in other words, under human “absolute” control over AI. Film, too, has been fragmented into various forms of humanized or intelligentized possibilities, and its identity has undergone a meaningful shift. This article adopts a phenomenological approach and uses film as a starting point. It explores, through a logical progression from the perceivable (the actual reality of the narrative) , to the sensed (the psychological reality of emotion) , and to the known (the higher-dimensional reality of emotional generation) , the relationship between humans and AI. Ultimately, it finds that the developmental trajectory of this relationship remains “controllable, ” offering insights into human survival strategies in the early stages of the AI era.