一直以来, 就心智意义上的感觉, 如对“巧克力味道”体验的产生, 对红光体验的产生, 人们始终认为是“相由心生”而已, 是脑以及神经系统为感觉到的东西所“赋予”的样子, 或者说是其产生的“幻觉”。在等效变换的意义上, 感觉应该是对表观的拓扑映射, 过程中, 事物的表观为感觉系统所感应并转换为可以为神经系统接收和处理的代码, 以映射表象成为可以“读出”的对象, 由此而为主体的我自身所觉察并因而有所体验和感受。如此表象, 亦为心智机制访问、编辑或存储的工作“质料”。文章从新的视角借助变换的等效性阐述了事物表观在脑中的转换并形成映射表征, 以及由此而来的表象流编辑的问题。

For a long time, in terms of the mental sense of sensation, such as the “chocolate taste” experience of the production of red light experience, people have always believed that the “phase is generated by the mind”, which is the brain and nervous system for the sense of things “endowed” appearance, or produced by the “illusion”. In the sense of equivalent transformation, sensation should be a topological mapping of appearance, in which the appearance of things is sensed by the sensory system and transformed into a code that can be received and processed by the nervous system, to map the representation into an object that can be “read”, and therefore perceived by the subject itself and thus experienced and felt. Such representations are also the “material” of work accessed, edited, or stored by higher mental mechanisms. From a new perspective, this paper discusses the transformation of the object􀆳s appearance in the brain and the mapping representation, as well as the resulting problem of image flow editing.